Painting Title Autumn at Argenteuil 1873 Oil Painting by Claude Monet
Original Artist: Claude Monet
Style: Impressionism Painting
Subject: Landscape Painting
Technique: Hand Painted Oil on Canvas
Title: Savor Me
Author: Kailin Gow
Genre: Erotica/Adult Contemporary
Event organized by: Literati Author Services
Taryn Cummings could not believe she was accepted into the prestigious International Institute of Culinary Arts culinary institute she dreamed of studying at in beautiful Paris, France. It was a far cry from her unglamorous life back home in New York where she helped her mother run their small family-owned restaurant called Sam’s. The International Institute of Culinary Arts churned out the top chefs in the world, including the wildly sexy and eccentric Master Chef Errol King, whose celebrity personality was larger than life.
She wanted excitement in a city of romance and thrills, but arrived to find her apartment barely livable and herself in need of a suitable place to stay. A chance meeting at the Institute brings her face-to-face with her new roommate…the devilishly charming Errol King, who would be guest teaching her class this term.
The attraction is as hot as the fire they cook with, and while Errol King, the notorious bad boy chef with an attitude, can get anyone he wanted into his bed, he wanted this woman more than anything. Something about her sweet innocence and sad eyes reach into his harden heart, but is it enough for him to forget his past?
Savor Me is Book 2 of the steamy erotic Master Chefs Series continues culinary student Taryn Cummings’ and Master Chef Errol King’s forbidden relationship that challenges and shakes both to the edge of all they’ve known. Could love exist after pain?
Savor Me is for 18+ due to mature subject and sexuality.
Savor Me contains mature subject matters and sexuality. For adults age 18 and up.
About the Author: Kailin Gow uses her author platform to bring awareness to issues affecting young adult and women. She has appeared on national radio as a regular guest on topics such as body image, self-esteem, dating and sexual relationships, bullying, and more; often brought up in her fiction books for young adults and women.
She is a graduate of the Annenberg School for Communications Masters in Management program in journalism, marketing and publishing at the University of Southern California.
You can find her here:
Vermeer, The Concert, 1658–1660 Oil on canvas, 72.5 x 64.7 cm
~One of approximately only 36 known works by Vermeer in the world
~ The subject is the making of music, suspended in time, at the split second just before song is
about to break out. The figures in this work are intently preoccupied with their music: they
do not look at each other and seem unaware that they are being observed.
~This work contains an air of mystery as well—i.e., who are these people and what are their
relationships? Vermeer crafts rather deliberately a sense of mystery in this work. The
reflections of light in the painting also intensify its mystery
~This work was Gardner’s first major acquisition, purchased with the help of experts at a
Paris auction sale. Gardner placed it on a table alongside the window, a location where she often placed her most prized paintings, with a chair in front of it to invite viewing.
Theft of Thirteen Artworks ▪ March 18, 1990
On the night of March 18, 1990, a pair of thieves disguised as Boston police officers entered the Isabella Stewart Gardner Museum and roamed its galleries, stealing from it thirteen priceless works of art. The stolen artworks include Rembrandt’s Storm on the Sea of Galilee, the artist’s only known seascape, and Jan Vermeer’s The Concert, one of only 36 known Vermeers in the world. The Gardner Museum is offering a $5 million reward for information leading to the recovery of these stolen artworks in good condition. Anyone with information—about the theft, the location of these artworks, or the investigation—is encouraged to contact the Museum’s Director of Security Anthony Amore directly at 617-278-5114 or email@example.com. The Museum can ensure complete confidentiality.
Or Contact the FBI
Information provided by THE ISABELLA STEWART GARDNER MUSUEM
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said—
‘I love thee true’.
She took me to her Elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep,
And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
Thee hath in thrall!’
I saw their starved lips in the gloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
In honor of Lovers Month, the legend of Tristan and Isolde by Edmund Blair Leighton, Born 1852 and Died 1922. Edmund Leighton’s beautiful works of art, have sometimes erroneously been credited to Sir Frederic Leighton.
Please click on the above links, for more about the love story of Tristan and Isolde; and the artist Edmund Blair Leighton.