Day Shift (A Novel of Midnight, Texas Book 2) by Charlaine Harris

Posted May 6, 2015 by Karen in Book Release / 0 Comments

Day Shift (A Novel of Midnight, Texas Book 2) by Charlaine HarrisDay Shift by Charlaine Harris
Series: , Texas #2
Published by Ace Books, Penguin on May 5th 2015
Genres: Action & Adventure, Contemporary, Cozy, Fantasy, Fiction, Mystery & Detective, Urban
Pages: 320
Format: ARC
ISBN: 0425263193
ASIN: B00O2BS60Y
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In Midnight Crossroad, Charlaine Harris “capture[d] the same magic as the world of Bon Temps, Louisiana, and [took] it to another level" (Houston Press). Now the #1 New York Times bestselling author of the Sookie Stackhouse novels returns to the one-traffic-light town you see only when you’re on the way to someplace else…

There is no such thing as bad publicity, except in Midnight, Texas, where the residents like to keep to themselves. Even in a town full of secretive people, Olivia Charity is an enigma. She lives with the vampire Lemuel, but no one knows what she does; they only know that she’s beautiful and dangerous.

Psychic Manfred Bernardo finds out just how dangerous when he goes on a working weekend to Dallas and sees Olivia there with a couple who are both found dead the next day. To make matters worse, one of Manfred’s regular—and very wealthy—clients dies during a reading.Manfred returns from Dallas embroiled in scandal and hounded by the press. He turns to Olivia for help; somehow he knows that the mysterious Olivia can get things back to normal. As normal as things get in Midnight…From the Hardcover edition.

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Read the beginning of the first chapter of Day Shift:

Manfred Bernardo checked into Vespers, an upscale hotel on the very edge of Bonnet Park, one of the oldest and “nicest” neighborhoods in Dallas. Actually, Bonnet Park was its own little city. Manfred had thought that his clients might arrive so wired from dealing with the traffic of downtown Dallas that they might not be able to transition to a mellow séance or reading, so he’d selected Vespers first for its location, and second for its décor. The interior of Vespers combined a lot of modern lines and shades of gray, with random swathes of brilliant fabric and nearly life-size sculptures of deer and lions. The deer looked startled and the lions were snarling, both reactions appropriate to finding themselves in such surroundings. Vespers played subdued techno music in the background non-stop, and all the desk staff looked as though they’d been kidnapped from a Nautica photo shoot: young, attractive, healthy, outdoorsy. They were all people who would not mind viewing their endless reflections in the other design element of Vespers – mirrors.

Manfred felt far more urbane when he went downstairs. Though he knew it was probably not the fancy-restaurant thing to do, he took his e-reader with him. He wasn’t fond of staring off into space, and he was in the middle of a book about the Fox sisters, who’d founded Spiritualism. He’d also brought his cell phone.

A table for one diner is often in a less-than-stellar position, but Veneto wasn’t busy that night. Manfred had a whole horseshoe-shaped booth to himself, his back to an identical booth facing the opposite direction. Due to the ubiquitous mirrors, he found he had a good view of the room and almost everyone in it. After he’d ordered, Manfred decided he could see almost too much. In his black suit, he looked like a crow in a daisy field; the other diners were in light summer colors, as befitted June.

Then in a mirror high on the wall opposite him, he spotted one other person in black, a woman. She was seated directly behind him in the booth with another woman and a man. Though Manfred got out his e-reader and turned it on, he glanced up several times because her head and shoulders seemed familiar. After the third or fourth time Manfred checked out the woman, he realized he was looking at Olivia Charity again. He’d never seen Olivia so groomed before, and he was astonished at how sophisticated and gorgeous she looked.

In Midnight, Olivia wore jeans and Tee shirts and boots, very little makeup or jewelry. The Dallas version of Olivia was wearing a lot of eye makeup. Her hair was put up perfectly in a roll at the nape of her neck. Her black dress was sleeveless and sleek. She was wearing a necklace formed to look like overlapping leaves. Manfred decided it was made of jade, though he was not knowledgeable about gems.

From his position, Manfred could only glimpse Olivia’s face from time to time. But her companions seemed engrossed in her conversation, so he felt free to watch them. They were both in their late fifties or even early sixties, he decided, but were definitely what you would call “well-preserved.” The woman was blonde by courtesy, but not glaringly so. She looked like a tennis player. Her jewelry glittered.

The man had a lot of gray hair, well-styled and cut, and he was wearing a suit that Manfred suspected was very expensive.

They’re not talking about playing tennis, Manfred told himself. To a casual observer, the man and woman might appear to be having a pleasant conversation with Olivia, but Manfred was a keen observer by nature and trade. The couple both had the slight knowingness to their smiles, the wink-wink nudge-nudge consciousness that told him they were talking about sexual things in a public place.

Manfred was through with his meal by the time the three finished their conversation. The couple left together. In the mirror Manfred observed the woman fish something from her tiny purse and slide it over to Olivia’s hand. A key card. Huh, I didn’t expect that, he thought. He’d always speculated about his mysterious neighbor, who had an apartment in the basement of the pawnshop next door to Manfred in Midnight.

Manfred had met Olivia during the previous year at the same time he met Bobo’s other tenant, Lemuel Bridger. No one had ever given him much background on his neighbors, because people in Midnight weren’t prone to gossiping about each other, as a rule. But gradually, Manfred had come to understand that Olivia had a mysterious job that took her out of town from time to time. And he’d observed that Olivia sometimes returned to Midnight the worse for wear. Amid other possibilities, he had considered the idea that Olivia might be a prostitute. But as he’d gotten to know her, something about the way she handled herself made him discard the idea.

Despite the way her dinner with the older couple had played out, he couldn’t believe it now. What’s she up to? he asked himself. He glanced down at his watch. After seven minutes, Olivia rose and left the restaurant. She walked right by him, but she didn’t acknowledge him by so much as a twitch of an eyebrow.

Manfred left the restaurant maybe three minutes later, but he did not see Olivia at the elevator bank as he’d half expected. In fact, he didn’t see her again that night. He woke once in the early morning, aware of some hubbub down the hall from his third-floor room; but it subsided, and he slept another hour.

When he stepped out of his room to go down to the hotel’s coffee shop for breakfast, the police were wheeling a body in a bag out of a room closer to the elevators than his. Manfred thought, Oh, shit. What did Olivia do?

Copyright © 2015 Charlaine Harris

About Charlaine Harris

Charlaine Harris is the author of two other books in the Lily Bard mystery series, Shakespeare’s Landlord and Shakespeare’s Champion. She is also the author of five books featuring amateur sleuth Aurora Teagarden. In between writing, chatting with her fans on the Internet, and taking care of three young children, she studies karate. She lives with her family in Magnolia, Arkansas.

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